Last Updated: February 27, 2003
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The Jesse Laventhol Prizes
for Deadline News Reporting
DEADLINE WRITING –
TEAM
WINNER:
The Palm Beach (Fla.) Post:
Elizabeth Clarke, Joel Engelhardt, Gary Kane, Christine Stapleton
JUDGES COMMENT: The Catholic
priest pedophile scandal has been written about in every newspaper in the country.
But the Post on the day of a bishop’s resigning in disgrace showed the humanity
of both priest and victim. The pieces caught the drama of the day’s events,
adding context, motivation and compassion.
FINALISTS:
The New York Times: James
Bennet, Joel Brinkley, Serge Schmemann
JUDGES COMMENT: The stories
in the Times entry on one terrible day in the Mideast operated on three levels
- reporting on diplomacy, war and human lives. The enduring struggle for peace
between Israel and the Palestinian people was elevated to world diplomacy and
came down to broken glass and shattered lives. In particular, Serge Schmemann’s
story about "the devastation from Bethlehem to Jenin" was heartbreakingly
human in its protrayal of human misery.
The Commercial Appeal: Mickie
Anderson, Yolanda Jones, Amos Maki, Stephen Price
JUDGES COMMENT: The reporters
turned a police shooting story into a compelling narrative, telling the story
of a child’s death in the sparest language of violence and tragedy. It was
impossible not to be emotionally moved. It captured the lunacy of an innocent
child’s death at the hands of an assailant bound for revenge.
DEADLINE REPORTING -- INDIVIDUAL
WINNER:
Dan Barry, The New York
Times
JUDGES COMMENT: Classic
job of strong, evocative deadline writing, with style, voice and narrative drive.
FINALIST:
Deanna Boyd, Fort Worth
(Texas) Star-Telegram
JUDGES COMMENT: A strong
piece of deadline reporting that involved a fascinating tale of a driver from
hell and her victim. It reflected great reporting and fine writing.
ASNE Distinguished Writing
and Photojournalism Awards
DIVERSITY WRITING
WINNER:
Jonathan Tilove, Newhouse
News Service, Washington
JUDGES COMMENT: Many great
stories start with a great idea, and Newhouse had one. Reporter Jonathan Tilove,
noting that there are more than 500 Martin Luther King Avenues in communities
across America, set out to visit many of them to explore the challenges and
triumphs of the people who live and work there. As he noted, these were “streets
united by struggle and circumstance, by history and happenstance. One leads
to the next and next and back again.” His writing had great depth and energy,
and it reflected a deep understanding of racial complexities in America.
FINALISTS:
Kelley Bouchard, Maine Sunday
Telegram, Portland
JUDGES COMMENT: In a series
of stories spread over many months, reporter Kelley Bouchard dissected the
history and impact of immigrant groups that eventually became a part of Lewiston, Maine.
The scope of reporting was ambitious. And the depth of reporting was impressive.
Of special note was her writing about the arrival of large numbers of Somalis,
many of whom migrated from Georgia to what would seem like a cold wintry climate
too inhospitable for them. The story had tremendous local impact, explaining
to Sunday Telegram readers why the Somalis came, how they were integrating themselves
into Lewiston, the challenges they faced, the strains they put on local financial
resources and, ultimately, the contributions they made to the community
Stu Whitney, Argus Leader,
Sioux Falls, S.D.
JUDGES COMMENT: The Argus
Leader detailed the struggles of local Native American high school star athletes
as they sought to compete in new college communities far from their homes, their
families and their customs. Most failed. The Argus Leader used their stories
to explain the tremendous pressures put on Native Americans as they try to adapt
to non-Native American settings. It was a perfect vehicle for the newspaper
to explain the broader challenges faced by Native Americans when they venture
into new cultural settings.
COMMENTARY/COLUMN WRITING
WINNER:
Michael Kelly, Omaha (Neb.)
World-Herald
JUDGES COMMENT: Courageously
wrote about a horrific crime – the abduction and rape of his daughter with style,
compassion, and even restraint. In doing so, provided real value in the debate
over whether to name rape victims, while providing insight into other issues
such as crime and race.
FINALISTS:
Kate Nelson, The Albuquerque
(N.M.) Tribune
JUDGES COMMENT: Produced
well-written, engaging columns that reflected an eye for detail that produce
wonderful prose. Struck by her ability to inform and surprise readers. The
writing reflected unusual polish, spirit, and energy.
Robert Jamieson, Seattle
Post-Intelligencer
JUDGES COMMENT: Offered
a fresh, engaging and even surprising voice on issues of race and urban America,
in a balanced and forceful manner. Goes beyond the obvious in his thinking and
writing, which reflects force and vigor.
NON-DEADLINE WRITING
WINNER:
Amy Ellis Nutt, The Star-Ledger,
Newark, N.J.
JUDGES COMMENT: What a novel
(some might say daunting) idea for a newspaper -- to explore five of the biggest
unanswered questions of science. Do it in a way that is easy to grasp, educational
and thought-provoking. Do it with top-notch sourcing, vivid writing and mastery
of the complex subject matter. Star-Ledger reporter Amy Ellis Nutt pulls it
off. She succeeds not only because of superb topic selection, but because of
her ability to weave literary devices into simple, explanatory prose. Such as
her description of a science professor: "When he speaks, his sentences
often spill out into one another like excited children on the cafeteria line."
And she understands the value of the simile in describing matter: "Instead
of matter being spread out evenly through space like butter on bread, it looked
like a bowl of clumpy oatmeal someone forgot to stir." Amy Nutt knows how
to reward her readers - both with a learning experience, and an occasional smile.
FINALISTS:
Barry Horn, The Dallas Morning
News
JUDGES COMMENT: Barry Horn’s
focus is on youth sports and the ways in which adults distort them. His writing
reflects meticulous reporting and a thorough understanding of his subjects.
He makes points less with poetic language than with direct, blunt declarative
sentences that, at their best, jolt like a blow from a sledgehammer.
Elizabeth Leland, The Charlotte
(N.C.) Observer
JUDGES COMMENT: In a few
deft strokes, Elizabeth Leland sketches her subjects by describing them in motion
-- a young Vietnamese store clerk putting down his broom to help a customer
reach a rice steamer, bowing slightly, then resuming his task; a convicted felon
turned student council president, "small-boned, soft-spoken," preaching
the gospel to his fellow students. She has the storyteller’s gift of knowing
when to get out of the way, to let her subjects speak and to reveal themselves.
No telling detail escapes her -- the boy glancing furtively at a clock, impatient
to leave the room; a woman with Lou Gehrig’s disease being kissed by her husband
but unable to move her lips in response. Her writing style is spare and strongly
visual. She takes the reader into each scene with her. Before we know it, her
narrative carries us along. Her work is a classic embodiment of the writer’s
rule to show, not tell.
EDITORIAL WRITING
WINNERS as the result
of a tie:
David Barham, Arkansas Democrat-Gazette,
Little Rock
JUDGES COMMENT: Breaking
the usual rules of editorial writing, David Barham wrote long, used big quotes
and seemed to totally enjoy what he was doing. It worked: His editorials were
compelling, had personality, impact, character. They were in a word: pungent.
They made you want to read them.
Andrew Malcolm, Los Angeles
Times
JUDGES COMMENT: Andrew Malcolm’s
writing set a different tone from all the other entries. It was graceful, clever,
evocative, humorous. He played language like a musical instrument.. His piece
on the death of the editor of Roget’s Thesaurus was "dazzling..."
or perhaps astonishing, fascinating, impressive, exciting.
FINALIST:
Mark Mahoney, The Post-Star,
Glens Falls, N.Y.
JUDGES COMMENT: You got
to love Mark Mahoney for elevating fall leaf collection to fist-shaking rage.
And he derided a reapportionment plan by commenting that it looked like it had
been done by a drunk monkey with a paint brush and wondered why we complain
about young people not voting when their voting booth was removed from a nearby
college. He shows that a small paper’s editorials can have great skill and impact.
PASSION FOR JOURNALISM
WRITING
WINNER:
James Smith, Record-Journal,
Meriden, Conn.
JUDGES COMMENT: Presented
an impressive example of a classic small town editor facing numerous challenges
from powers unappreciative of the role of journalism in their community. Met
those challenges head on and with courage, while finding the time to explain
to readers his thinking.
FINALISTS:
James Strang, The Plain-Dealer,
Cleveland
JUDGES
COMMENT: Wrote strong editorials that raised issues about potential civil liberty
abuses and curbs on press freedom.
Don Wycliff, Chicago Tribune
JUDGES COMMENT: Offered
timely and insightful writings on some the key issues facing journalists today.
Especially effective as a writer who is informative but not preachy. One special
column of note dealt with how his paper handled the sticky internal matter involving
Bob Greene.
COMMUNITY SERVICE PHOTOJOURNALISM
WINNER:
Ted Jackson, The Times-Picayune,
New Orleans, La.
JUDGES COMMENT: Jackson’s
caring work put an intimate face on the humanity of school testing introduced
to meet federal mandates, The uncertainty for students and their families was
palpable as the photographer won the trust of his subjects and told the story
of a challenging year in a series that clearly showed the stakes and the complexity
of school reform.
FINALISTS:
Rodolfo Gonzalez, Austin
(Texas) American-Statesman
JUDGES COMMENT: "Chasing
Hope" is an exquisite story of the heart and determination of a young woman
who lost life as she knew it when a drunken driver crossed the yellow line,
killing two two passengers and severely burning her over 60 percent of body.
From a poignant photo of Jacqueline Saburido and her father as they prepared
the trial of the accused driver, Rodolfo Gonzalez launched on an odyssey of
photojournalism that led to a compelling 16-page section that became the focal
point of state campaign against drunken driving.
Don Bartletti, Los Angeles
Times
JUDGES COMMENT: The photographer
is invisible but the gripping photos that document the journey -- on the tops
of freight trains, walking, hitchhiking -- of a boy in search of his mother
make you take notice. Bartletti dares you not to understand the peril of the
48,000 immigrant children who come to the United States along each year, many
of them from Central America and Mexico. It is awesome professional documentary
photography.