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Traveling around the world making films sounds like the ultimate lifestyle, right? There actually are a handful of lucky you-know-whats out there who get to earn their living that way, like my new favorite source of career-envy, filmmaker Trey Chace.

Trey often finds himself traveling for production jobs. Over the years, he has developed a list of lightweight, compact, portable, and durable equipment that allows him to get jobs done efficiently. With the help of Trey's gear tutorial below, we've compiled our own list of essentials suitable for a traveling crew working with a medium budget. Whether you're a pro like Trey, or you're eying the greener pastures of the freelance filmmaker lifestyle like me, this Video School lesson is for you. Let's see what Trey has to say:

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Category:
Gear
Difficulty:
advanced

Have you ever found yourself planning a vacation getaway to some fun new place you're excited to explore and wondered what camera would be best to capture the experience in all its audiovisual glory? Maybe you considered bringing along a DSLR but didn't feel like lugging around a heavy, attention-grabbing chunk of gear that screams, "I'm a tourist with money, look at me!" So you compromised and brought just a mobile phone with a decent built-in camera or a dedicated point and shoot camera. Both of those are completely reasonable options, but if you want to improve your low-light performance and give yourself some lens options, all while keeping a smaller, lightweight profile, consider a mirrorless interchangeable-lens camera, or MILC for short.

MILCs are the smaller and svelter cousins of those lovable workhorses of the modern video world, DSLRs. Let's first dig into what they are by dissecting the name. You might remember from previous lessons that DSLRs have a built-in mirror that allows you to see through the viewfinder the exact framed view that the camera will record once you hit the all-powerful red button of commitment. This is great for framing your shot and was essential when LCDs with live view weren't standard on the back of every digital camera. Nowadays, though, it's not essential to have a viewfinder, especially when shooting video. It turns out, if you don't need a mirror assembly or viewfinder, you can make a similar but significantly smaller and lighter camera. This is great for when you're traveling or just out and about, since heavy stuff is, well, heavy.

Before we proceed with our etymological exploration of MILCs, check out this fresh example shot on a Panasonic GH2 by Leon Visser on a trip through Vietnam:

A Journey Through Vietnam

from Leon Visser

00:00
305

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Category:
Gear
Difficulty:
beginner

Lens Flares

Lenses are designed to receive light and focus it into an image. But depending on your shooting conditions, not all light entering your lens will be focused. When light scatters and hits your camera’s sensor in unintended ways, it can generate a lens flare — typically a small starburst, ring, or circle of light. Sometimes lens flares are unintentional and can ruin a shot, but you can also use them to add style to your video.


Check out this sweet lens flare action among some evergreens. Image courtesy of Shutterstock.

You can achieve lens flares, or a lens flare effect, in a few different ways:

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Category:
Shooting
Difficulty:
advanced

If you've ever voluntarily stared at a water stain on your ceiling or spent an entire day refreshing Facebook, it's safe to say you know a thing or two about procrastination. Some folks might say that the dreaded P-word is the result of laziness or inability, but I have a different theory: What if we procrastinate simply because we don't know where or how to begin?

The act of creating something new — whether it be a video, a painting or a soufflé — can be daunting. So daunting, in fact, that even the idea of getting started is capable of freezing every last drop of your creative juices. After all, the only thing scarier than missing a deadline or gaining 15 pounds because you ate the entire contents of your pantry, refrigerator and freezer to avoid the task at hand is failing at something you worked really, really hard to finish. Sometimes, to avoid failure, our minds trick us into not starting at all. But where's the satisfaction in that?

29 WAYS TO STAY CREATIVE

from TO-FU Plus

00:00
110

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Category:
Behind The Scenes
Difficulty:
beginner

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