Nov 20, 2012
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© The Financial Times Ltd 2012 FT and 'Financial Times' are trademarks of The Financial Times Ltd.
Nov 20, 2012
Nov 18, 2012
Ian Hamilton Finlay, Tate Britain, London
This show explores Finlay’s truly original oeuvre through works in wood, neon, bronze, stone, and on paper
©Courtesy of Acconci Studio
From
DESIGN & ARCHITECTURE
Nov 17, 2012
Tubular belles
The works of architect Vito Acconci, 71, DesignMiami/’s designer of the year, are informed by his past as a countercultural poet and performance artist. Caroline Roux talks to him
©Courtesy of Yves Klein Archive
Nov 17, 2012
‘A Bigger Splash’ at Tate Modern
Can painting survive in an age of spectacle? Jackie Wullschlager reports from an exhibition that explores the medium’s relationship with performance
©Courtesy of Sotheby's
From
COLLECTING
Nov 16, 2012
The Art Market: Abstract expressions of value
Prices into the stratosphere; Warhol by the wagonload; Indian authenticity issues
©John Paul Pennebaker
Nov 12, 2012
Faking It, Metropolitan Museum, New York
Photography’s pioneers touted its objectivity. But the medium has been prone to manipulation from the start
Nov 11, 2012
Frank Auerbach: Early Works, Offer Waterman, London
These portraits show why Auerbach is among the most important figures in postwar painting
©SGMA
Nov 9, 2012
SJ Peploe, Edinburgh
Jackie Wullschlager on the Scottish Colourist intrigued by the mystery of the ‘mere objects’ he painted
- The market Scottish colourists
From
COLLECTING
Nov 9, 2012
The Art Market: Shiny, happy dealing people
At the Abu Dhabi fair, purchases for the emirate’s Guggenheim were unveiled
©Helen Levitt
Nov 9, 2012
Out of the shadows
Henri Cartier-Bresson is known as a master of monochrome but his style lives on in the work of colour photographers
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