Nov 9, 2012
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© The Financial Times Ltd 2012 FT and 'Financial Times' are trademarks of The Financial Times Ltd.
Nov 9, 2012
Nov 2, 2012
London gets an Asian twist
Focus on Chinese ceramics; hurricane Sandy chaos; an end to auction anonymity in New York
Oct 27, 2012
The Art Market: Uncertain times in Dubai
Mixed messages in the Middle East; lawsuits in London and New York; Les Cahiers relaunched
Oct 26, 2012
Spreading their wings in style
Following the influx of Chinese artists and photographers, designers hit the market
From
DESIGN & ARCHITECTURE
Oct 26, 2012
Shape shifters
One of the year’s wider themes in the arts is the interplay between past and present, and about the juxtapositions they can create. But does it work?
©DesignMiami/
Oct 26, 2012
Unexpected but keenly collected
Brief takes on the market for blue-chip Art Deco items, the French in New York and Sofa Art
Oct 19, 2012
Back stories
An exhibition of the lesser known side of Middle East art comes to London’s East End
Oct 19, 2012
The Art Market: All astir in Paris
Fiac sales flow, wealth tax avoided, Power 100 list revealed
Oct 12, 2012
The Art Market: Spoilt for choice
Fairs are multiplying madly. Is all this sustainable, and isn’t it leading to over-production?
Oct 12, 2012
A tale of two art fairs
Blending the ancient and the contemporary, Frieze Masters takes a strong place beside its partner
From
VISUAL ARTS
Oct 11, 2012
Richard Hamilton: The Late Works, National Gallery, London
In this National Gallery show, pieces by the politicised provocateur resonate with London’s current art frenzy
From
VISUAL ARTS
Oct 11, 2012
Caught in the exhilaration of the moment
Two great photographers bristle with life in a Tate Modern exhibition
Oct 11, 2012
Taste for the anti-Frieze
The chic Sunday Fair and the video-art fair Moving Image offer alternatives to Frieze’s main event in London
Oct 10, 2012
Cool, calm and collectable
The new Frieze Masters fair is a dignified partner for the funkier Frieze London
Oct 10, 2012
PAD London, Berkeley Square
The boundary between art and design is profoundly – and profitably – blurred at this sleek showcase for objects of desire
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