State of the Arts

Guthrie Theater to offer 'Tweet Seats'

Posted at 12:25 PM on December 21, 2012 by Marianne Combs (0 Comments)
Filed under: Technology, Theater

For years at the Guthrie Theater, just before the show began, a voice has asked audiences to please turn off their cell-phones.

Are those days coming to an end?

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The cast of The Servant of Two Masters
Photo by Richard Termine

Today the Guthrie announced that a dedicated section of the audience will actually be encouraged to 'tweet' during performances of the Italian comedy The Servant of Two Masters.

These "tweet seats" as they're called, will be available for four consecutive Thursday evening performances, beginning December 27. They're located on the balcony level of the McGuire proscenium stage, so as not to be disruptive to other theater-goers.

"If there were ever a Guthrie show to host Tweet Seats, it's The Servant of Two Masters," said Guthrie External Relations Director Trish Santini in a Guthrie release. "This cast is an incredible ensemble of comedians, and night after night they're riffing and improvising--it's the kind of show that makes you ask, 'Did they just say that?' Usually they did--and tweeting should be a great way to talk about it."

"Tweeting" is already encouraged in some other venues, including MPR's own "Wits" series at the Fitzgerald Theater.

So what do you think? Is this a good idea? Do you like the idea of being able to text while you're in the theater watching a stage production? Or would you prefer your concerts to be free of smart phones and other digital devices?

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MN Orchestra invites musicians back to the negotiating table

Posted at 10:52 AM on December 21, 2012 by Marianne Combs (4 Comments)
Filed under: Arts management, Funding, Music

The Minnesota Orchestral Association has invited the Musicians' Union to negotiate a new contract once again.

The MOA has put out two possible dates - Saturday January 5 or Wednesday January 9. The invitation to negotiate has been made "without any preconditions."

The Minnesota Orchestra has also cancelled or rescheduled all concert performances through Sunday, February 10. Ticket holders will be contacted directly by the Orchestra to outline their options, including exchanging their tickets, or receiving a refund.

Earlier this month the Minnesota Orchestra disclosed that it has a $6 million deficit for its fiscal year ending Aug. 31. The Minnesota Orchestra musicians have been locked out since the beginning of October.

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The Ivey Awards let you be the judge

Posted at 2:32 PM on December 20, 2012 by Marianne Combs (0 Comments)
Filed under: Theater

Each year the Ivey Awards celebrate the finest performances in Twin Cities theater.

The awards are not decided on by some high powered committee, nor by insider theater professionals, nor even by theater critics.

The Ivey Awards are decided by volunteers - more than 150 of them who commit to seeing and reviewing at least five shows over the course of the year.

Sound like something you'd like to do? Well then, don't delay! Tomorrow is the deadline to RSVP your interest to info@iveyawards.com (or call 612-870-1234).

Evaluators must attend a meeting on either Tuesday Jan 8 or Thursday Jan 17 from 5:30 - 7pm. And they are expected to attend the Ivey Awards on Monday, Sept 23, 2013.

But who wouldn't want to see the results of their hard work?

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Art Hounds: 2012 Highlights, part one

Posted at 7:45 AM on December 20, 2012 by Molly Bloom (0 Comments)
Filed under: Art Hounds, Dance, Minnesota Poets, Music, Poetry, Theater

We've asked our Art Hounds to tell us about their Minnesota arts and culture highlights of 2011. Here is the first installment (look for more next week -- and share yours here):


20120711_cherryorchard1_53.jpgLuverne Seifert and Darcy Engen's production of The Cherry Orchard

This site-specific production of Anton Chekhov's The Cherry Orchard was performed in houses on the Historical Register in five farming communities around the state. Getting in the car and driving out to the production in Taylors Falls made it a great summer adventure--theatre as road trip! It was amazing to see how a historic landmark--Fulsom House--was brought to life by serving as the setting for the play. Watching some of the best actors in the Twin Cities--Luverne Seifert, Sarah Agnew, Elise Langer and Stephen Cartmell make Chekhov's characters relevant, immediate, hysterical and heartbreaking was also incredible. It was an artistic endeavor that brought the best elemenst of Minnesota -- its history, its natural beauty and its amazing artists -- together to create an extraordinary theatrical experience.
-Elissa Adams, director of new play development at Children's Theatre Company

Aniccha Arts' In Habit: Living Patterns, at the Northern Spark Festival
One of the most exciting things about it is where it happened: under the Central Avenue Bridge. Each section had a corresponding evocative word projected on the underside of the bridge that you could see as the dance unfolded. One of the sections was slow and meditative, another used fast, furious footwork in tandem, and another used only gestural language from the elbow to the hand. It felt like a dream watching bodies move with extreme individualism and unison in the middle of the night, under a bridge, against the cityscape and along the water.
-Penelope Freeh, dancer and choreographer

Todd Boss's poetry collection Pitch
In his second collection (winner of the 2012 Midwest Booksellers Choice Award for Poetry), Boss expertly balances plain-enough Midwestern subject matter and a sophisticated sense of play. His language has a music considerably more beautiful than the dropped piano recalled in the book's title poem. Pitch was my introduction to Boss. He's become a poet I expect to follow wherever his muse leads him.
-Brian Beatty, writer, comedian, poet, host of mnartist.org's You Are Hear podcast


Sufjan Stevens' at Mill City Nights
This "Christmas Paegant" was everything that I hoped for in a concert: it was community oriented (the crowd sang along and got dressed up), it was funny and joyful, the band brought a spiritual component into the mix, it was a reflective and sincere celebration of Christmas and it made me happy to see that our generation is enthusiastic in understanding the eternal meanings of the times!
-Crystal Nelson, art therapist

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Innovating the dinner table with sexy place settings

Posted at 4:43 PM on December 19, 2012 by Marianne Combs (0 Comments)
Filed under: Craft, Galleries, Sculpture

In the world of tableware, it would appear there's little room for innovation.

For instance a plate can be given corners, or different colors or patterns, but in its essence it's a flat surface on which to put your food. A plate is recognizably a plate.

Along that same line of reasoning a bowl is a bowl, and a cup is a cup.

Ceramic artist Kimberlee Roth thinks it's time to shake things up a bit.

Roth-4.jpg
Nautilus, 2012
Photo by Jennifer Phelps

Roth started out studying physics, specifically material science, more specifically ceramics (ceramics play an important role in superconductors and as insulators).

However Roth soon was so charmed by clay's sensual nature, and its artistic potential, that she left physics to study art.

Over the years Roth has used what she learned in physics about curves, heat and pressure to create sculptural pieces that she hopes people will admire both for their sensual form, and their functionality: sculpture for the dinner table.

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Masdevallia Veitchiana- Yana, 2010
MPR photo/Marianne Combs

The shapes are inspired by shells, flowers and the female figure.

"I'm very attracted to the female form," says Roth. "I think the female body is beautiful. I think the male body is beautiful, too, but I found it easier to translate feminine imagery to ceramics than masculine."

Other pieces are inspired by Moorish tiles, or by the terracotta embellishments that decorate many older buildings.

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Clover, 2012
MPR Photo/Marianne Combs

Roth's most recent show, at Burnet Gallery in downtown Minneapolis, features several different sets of pieces hung meticulously on the wall to create a larger geometric pattern. They are hung on nails, and can be easily taken down and set on a dining room table.

Roth imagines her as the backdrop to a particularly evocative meal.

"I wouldn't serve spaghetti on these dishes," says Roth, "I'm thinking of sushi, or other food that you would eat with chopsticks or your fingers."

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Lotus, 2012
Photo by Jennifer Phelps

Roth says while some artists imbue their work with meaning and symbolism, for her it's simply about pleasure.

"I'm not trying to make provocative work. I'm not trying to get that 'Aha!' moment from somebody. I want people to think these pieces are beautiful, and I want them to frame food elegantly. Special plates, for a special meal."

Roth's exhibit "Bouquet" is on display at Burnet Gallery through January 5.

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Graywolf to publish actor James Franco's poetry

Posted at 12:11 PM on December 19, 2012 by Marianne Combs (0 Comments)
Filed under: Film, People, Poetry

Graywolf Press has acquired James Franco's debut collection of poetry, titled Directing Herbert White.

While 34-year-old Franco is best known for his work in 127 hours and Sam Raimi's Spider-Man trilogy, the actor is also a writer, director and painter with a near-obsessive passion for learning. He holds an MFA in poetry from Warren Wilson College and an MFA in creative writing from Brooklyn College.

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James Franco as Allen Ginsberg in the movie "Howl"

Franco's work in film has often involved poetry, whether he was portraying Allen Ginsberg or Hart Crane, or directing films inspired by poetry.

Directing Herbert White is scheduled to be published in April 2014. Graywolf editor Jeffrey Shotts describes the poems as a series of portraits of American successes and failures from within Hollywood.

"They are also smart and highly aware notes of caution of what can happen when the filmed self becomes fixed and duplicated, while the ongoing self must continue living and watching," added Shotts in a press release.

In 2010 Scribner published a collection of Franco's short stories titled Palo Alto to mixed reviews. He's also published a chapbook of poetry titled Strongest of the Litter.

Graywolf plans to bring Franco to Minneapolis for a book launch event in the spring of 2014.


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Nicholas David takes third place on The Voice

Posted at 11:30 PM on December 18, 2012 by Marianne Combs (3 Comments)
Filed under: Music, People, Television

Eagan native Nicholas Mrozinski will be coming home after placing third on NBC's vocal competition show "The Voice."

Mrozinski, known to audiences of "The Voice" as Nicholas David, impressed viewers with his soulful crooning reminiscent of both Marvin Gaye and Joe Cocker. His song choices consistently reflected a message of love and optimism, from "Lean on Me" to "Somewhere Over the Rainbow." In tonight's finale, he sang a duet with Smokey Robinson.

But the love and harmony wasn't enough to earn him the most audience votes; the popular winner was contestant Cassadee Pope.

89.3 The Current's Andrea Swensson writes:

Pope's victory is unsurprising, from a reality TV angle. One of the driving forces behind The Voice is iTunes sales, and Pope's inoffensive mall-pop vocal stylings and ever-so-slightly-edgy appearance make her an easily accessible candidate, especially for the download-hungry tween and teen market. Mrozinski, on the other hand, appealed to older generations of music fans with his soulful take on classics by Bill Withers and Marvin Gaye.

It's unclear at this point what Mrozinski's future holds; while he won't be getting the first prize recording contract, his newfound popularity makes it unlikely he'll continue in such intimate local venues as The Happy Gnome.

Mrozinski has said he's looking forward to spending some quality time with family. He's the father of two boys; he and his partner are expecting a third baby in February.


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Nicholas David fires it up for the final round of 'The Voice'

Posted at 9:57 PM on December 17, 2012 by Marianne Combs (4 Comments)
Filed under: Music, People, Television

Nicholas David - a.k.a. Nick Mrozinski - sang his heart and soul out tonight on NBC's vocal competition show "The Voice."

The Eagan native took his on-stage energy to new heights with his rendition of Jerry Lee Lewis' "Great Balls of Fire" which morphed into Jimi Hendrix's "Fire." Mrozinski performed on a flaming piano before taking to the floor with some dance moves and high kicks.

Later on in the program Mrozinski took a more relaxed tone as he sang Bill Withers' "Lean on Me" with a casually dressed choir sitting behind him. The song echoed a sentiment expressed at the opening of the show with the cast's performance of Leonard Cohen's "Hallelujah" in memory of the 26 people - mostly children - killed Friday at Sandy Hook Elementary in Newtown, Connecticut.

Finally Mrozinski sang a duet with his coach CeeLo Green, whose title could have been a directive from CeeLo himself: "Play that Funky Music" by Wild Cherry. Aerialists with big hair and a "mini CeeLo" showing off his dance moves rounded out the performance.

Now it's up to the audience to decide who wins 'The Voice.' Fans can vote for their favorite contestants either by phone, text message, online, or by purchasing the song they performed on iTunes.

Voting is open in the Central time zone through 9:00am Tuesday. The winner, who gets to sign a record deal, will be announced on "The Voice" tomorrow night.

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Guthrie reports balanced budget in difficult times

Posted at 6:30 PM on December 17, 2012 by Euan Kerr (0 Comments)
Filed under: Arts management, Theater

Guthrie Artistic Director Joe Dowling is typically blunt, even in the face of good news.

"Any one running a theater these days that doesn't feel concern about the economy is living in Cloud Cuckoo Land" he said today as the Guthrie reported a balanced budget for the 2011-2012 season at its annual meeting.

joedowling.jpgThe numbers are these: the Guthrie has a $67,000 surplus on a budget of $29,000,000.

A total of 42 productions generated 795 performances which drew a total attendance of 426,000.

Those are big numbers, and represent a 10 percent increase in the Guthrie's budget over the previous year.

"I won't pretend it hasn't been a difficult year," Dowling (above) said. "It has. It has been a very difficult year. A difficult year for everyone involved in the arts, and indeed in the community generally."

However Dowling credits the balanced budget to a number of factors, not least the generosity of donors, and the support of the state's Arts and Cultural Heritage fund.

He also believes the Guthrie has found a good balance between the productions which will draw large audiences with the artistically important work. He points to the Marcela Lorca directed production of Seamus Heaney's "Burial at Thebes" being in the same season as the summer hit "Roman Holiday."

"So within the one season you have two very extraordinary pieces of theater," Dowling said. "It's keeping that kind of balance alive and making certain that we have an appeal for all of our broad audience, that's the big concern for the future."

Dowling says that, even now, six years after opening the three theater complex on the edge of downtown Minneapolis, the Guthrie is still exploring the possibilities of the new building.

When asked to name his high points from the season, he say's it's difficult to choose just one. he eventually points to the Heaney play, but also Tracie Bennett's portrayal of Judy Garland in "End of the Rainbow."

"Those are the sort of moments in the theater when you sort of really do feel your are in the presence of something extraordinary," he said.

(Joe Dowling image courtesy of the Guthrie)

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New citizens group announced at locked out concerts

Posted at 8:11 PM on December 16, 2012 by Euan Kerr (1 Comments)
Filed under: Arts management, Music

Audiences at this weekends sold out concerts by locked out musicians of the Minnesota Orchestra heard about a new citizens group formed to try to break the impasse between the musicians and management.

"Orchestrate Excellence"calls itself a "coalition to support our Minnesota Orchestra."

Organizers of say its only a week old and still getting set up, but the group used the concerts at the Ted Mann Concert Hall as an opportunity of gather names of supporters.

A flyer in the program stated:"The Minnesota Orchestra enriches and inspires our community with a heritage of artistic excellence spanning more than a century. It has made Minnesota synonymous with musical greatness worldwide. We believe that the orchestra plays an important role in Minnesota's rich cultural life and it is possible to fund its musical brilliance going forward. We are concerned citizens who have come together to find ways to assure the high quality of the music that we love."

Audience members were encouraged to add their name and Email address, and visit the organizations website.

The Sunday concert was an emotional experience as former Minnesota Orchestra music director Edo de Waart tppk the podium to lead the musicians through a program of Bach's Concerto in D Minor for two violins, featuring Concertmaster Erin Keefe and former Concertmaster Jorja Fleezanis standing side by side on stage.

The second part of the concerts opened with a spirited speech from viola player Sam Bergman who told the crowd the musicians were prepared to struggle and sacrifice to preserve the orchestra in the face of the major cuts proposed by management.

The musician were then joined by a chorus of at least 80 voices as well as four soloists to perform Beethoven's 9th.

The performance was met with rapturous approval from the audience which gave the musicians repeated standing ovations.

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December 2012
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About the Writer

Marianne Combs is a reporter for MPR's Arts Desk, covering everything from theater and dance to fashion and architecture. You can follow her on Twitter @stateofthearts

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This activity is made possible in part by the Minnesota Legacy Amendment's Arts & Cultural Heritage Fund