©David Levene/The Guardian
Lucy Kellaway
Jan 18, 2013
A journalist’s attempt to master Chopin’s Ballade No 1 in stolen moments. A review of ‘Play It Again’, by Alan Rusbridger
Jan 18, 2013
A study of China’s conduct abroad is marred by an undercurrent of xenophobia. Jamil Anderlini reviews ‘China’s Silent Army’, by Juan Pablo Cardenal and Heriberto Araújo
Jan 18, 2013
Russian ballet and the revolutionaries. Clement Crisp reviews ‘Swans of the Kremlin’, by Christina Ezrahi
Jan 18, 2013
Writerly passions set free by the Blitz. Virginia Rounding reviews ‘The Lovecharm of Bombs’, by Lara Feigel
Jan 18, 2013
A bold New York journal. John Sunyer reviews ‘Say What You Mean: The n+1 Anthology’, edited by Christian Lorentzen
Jan 18, 2013
The history of shame and stigma is more complex than we think. Henry Hitchings reviews ‘Family Secrets’, by Deborah Cohen
Jan 18, 2013
‘The Examined Life’, by Stephen Grosz; ‘What Has Nature Ever Done For Us?’, by Tony Juniper; ‘Looking for Transwonderland’, by Noo Saro-Wiwa
©New York Times/Eyevine
Jan 11, 2013
John McDermott reviews Alan Blinder’s ‘After the Music Stopped: the Financial Crisis, the Response, and the Work Ahead’
Jan 11, 2013
Despite his huge success, Jonathan Miller is haunted by his decision to abandon medicine. Roger Lewis reviews ‘In Two Minds’, by Kate Bassett
Jan 11, 2013
Why did efforts to aid Haiti following the 2010 earthquake end up doing so little good? Andrew Jack reviews ‘The Big Truck That Went By’, by Jonathan Katz
