Tamara Riewe, Nicholas Strafaccia, Jamie Scott, and Samuel Wentz, Members of the Trisha Brown Dance Company perform ©Stephanie Berger 5:53pm

Trisha Brown: Last Dances, Brooklyn Academy of Music, New York

The sunny faith in the body that runs through Brown’s work tempers the ache of loss in her final works

The Vandal Flea Theatre Noah Robbins, Deirde O Connell 5:53pm

The Vandal, Flea Theatre, New York

Set at a New York bus stop, Hamish Linklater’s new play is a sparse, touching meditation on grief

Rowan Atkinson as St JohnQuartermaine Jan 30, 2013

Quartermaine’s Terms, Wyndham’s Theatre, London

Rowan Atkinson stands out as a schoolteacher hiding loneliness behind bonhomie in Richard Eyre’s poignant production

From MANAGEMENT Jan 30, 2013

Why ‘dad dancing’ damages the hiring process

Douglas Board argues that executive recruitment is harmed by erratic, self-indulgent timing

l-r Kate O'Flynn (Racheal Keats) and Mike Noble (Billy Keats) in 'Port'. ©Kevin Cummins Jan 29, 2013

Port, National Theatre (Lyttelton), London

Kate O’Flynn gives an outstanding performance in Simon Stephens’ portrait of a young woman’s progress to maturity

From WORLD Jan 29, 2013

London theatre sales undented by Olympics

West End sector bucks economic climate with ninth year of growth

Jan 27, 2013

Gruesome Playground Injuries, Gate Theatre, London

Writer Rajiv Joseph focuses on two misfits who find refuge in one another but seems unsure how to develop his theme

Anna Madeley Jan 27, 2013

The Turn of the Screw, Almeida, London

This post-Freudian reading of the Henry James classic is full of fine performances but low on genuinely chilling moments

A boy in pyjamas ©Javier del Real Peter Aspden Jan 25, 2013

The not-so-wonderful world of Walt Disney

Philip Glass’s new opera portrays the entertainment mogul as racist, despotic and megalomaniacal

Mourad Merzouki's 'Käfig Brasil' ©Michel Cavalca Jan 25, 2013

Suresnes Cités Danse, Théâtre Jean Vilar, Suresnes, France

The urban dance festival has gone back to basics with creations big and small, and a selection of perennial favourites

Jan 24, 2013

Di and Viv and Rose, Hampstead Theatre, London

Amelia Bullmore’s play is a touching, funny portrait of the friendship between three housemates

Jan 23, 2013

La Turista: Café Duende, Morito, London

Jamie Harper’s site-specific performance evokes the Spanish civil war through words, food and wine

Jan 22, 2013

The Judas Kiss, Duke of York’s, London

Rupert Everett conveys Oscar Wilde’s wit, weariness and warmth in David Hare’s play, newly transferred to the West End

Jan 22, 2013

Metamorphosis, Lyric Hammersmith, London

This Kafka adaptation successfully distorts our sense of perspective and emphasises the story’s socio-political dimension

Jan 22, 2013

London International Mime Festival, Southbank Centre

Two contrasting shows – Leo and Plan B – explore our relationship to gravity to eye-opening effect

Jan 21, 2013

Onegin, Royal Opera House, London

The character of Tatiana is at the heart of John Cranko’s ballet, and Alina Cojocaru is one of the great interpreters of the role

Jan 21, 2013

La Réunification des deux Corées, Odéon Théâtre de l’Europe, Paris

The world premiere of Joël Pommerat’s play showcases his knack for dark humour and capturing complex human relations

Jan 20, 2013

One Monkey Don’t Stop No Show, Tricycle Theatre, London

Don Evans’ comedy about a middle-class black household in Philadelphia is played here as a studio shoot of a 1970s sitcom

From MUSIC Jan 18, 2013

Blood, tears and musical scores

Alex Ross, whose book inspired ‘The Rest is Noise’ festival, talks about how war changed Europe’s musical landscape

Jan 18, 2013

Brecht on stage

Sarah Hemming looks at two new UK productions of the German playwright’s enduring work