5:26pm

UBS Soundscapes, LSO St Luke’s, London

A Turnage-composed showcase for bass player John Patitucci was the most successful element in this jazz-themed evening

Jérôme Deschamps and Michel Fau in ‘Ciboulette’ Feb 19, 2013

Ciboulette, Opéra Comique, Paris

This raucous opérette revival revels in campery and kitsch – but also delivers irresistible music and exceptional singing

Feb 19, 2013

Keaton Henson, Freud Museum, London

Though seemingly sensitive and fragile, the singer-songwriter here revealed a tougher sensibility

Feb 19, 2013

Marc Johnson, Ronnie Scott’s, London

There was a powerful sense of history in this gig from the bass player’s trio, featuring his wife Eliane Elias on piano

Sarah Connolly (centre) as Medea ©Clive Barda Feb 18, 2013

Medea, Coliseum, London

David McVicar’s production lacks substance, but Sarah Connolly delivers a triumphant performance in the title role

Feb 18, 2013

Philharmonia Orchestra, Royal Festival Hall, London

This was a thoughtfully planned opening concert in the Philarmonia’s Britten centenary season

A scene from Opera North's 'Dido and Aeneas' (Pic: Tristram Kenton) Feb 17, 2013

La Voix humaine/ Dido and Aeneas – Grand Theatre, Leeds

Poulenc and Purcell make for a perfect pairing, though it is Aletta Collins’ inspired staging of the latter that really shines

Feb 15, 2013

Salif Keita, Royal Festival Hall, London

‘The golden voice of Mali’ infuses his music with tropes from the 1970s club dance scene

'La Favorite' ©Vincent Pontet Feb 13, 2013

La Favorite, Théâtre des Champs-Elysées, Paris

This may not be Donizetti’s best opera but Valérie Nègre’s misfortune-dogged production does it no favours

Kraftwerk at Tate Modern ©PA Feb 13, 2013

Kraftwerk: Techno Pop, Tate Modern, London

The German quartet’s performance of an album that flopped in the 1980s was a triumph here

Feb 12, 2013

New World Symphony/Michael Tilson Thomas, New World Center, Miami Beach

A tribute to John Cage provided musical charm and eclectic sounds – but will his work stand the test of time?

Feb 11, 2013

Lulu, Wales Millennium Centre, Cardiff

Two singers rise above the mess of David Pountney’s ultra-contrived staging

Feb 11, 2013

Ahmad Jamal, Barbican, London

The pianist and his flawless band took stock ingredients and used them as a starting point for a magical mystery tour of modern music

Feb 11, 2013

London Sinfonietta/Hannigan, Queen Elizabeth Hall, London

This event, part of the Southbank’s ‘The Rest Is Noise’ festival, recalled Paris’s status as an artistic hub in the 1910s and ’20s

Feb 10, 2013

Turnage’s Speranza, Barbican, London

The tunes in Turnage’s latest and biggest orchestral work help to lighten the load of its overweight philosophical tone

Feb 8, 2013

Karl Bartos interview

Airbrushed from Tate Modern’s Kraftwerk shows, the German musician is still more prolific than his ex-band

Feb 7, 2013

Kraftwerk, Tate Modern, London

The German electro-pop pioneers synthesised theatre, visual art and music irresistibly in the first of their “retrospective” shows

Feb 7, 2013

Joyce DiDonato, Barbican, London

This recital by the American mezzo-soprano was notable for its sense of containment, rather than high drama

Feb 6, 2013

Guillaume Tell, Het Muziektheater, Amsterdam

With a dream cast, this production is a superlative reading of a neglected piece of music history

Feb 5, 2013

Eugene Onegin, Royal Opera House, London

The presence of older and younger protagonists simultaneously onstage suggests shared memory but the results are forgettable