Trelawny of the Wells ©Johan Persson 5:41pm

Trelawny of the Wells, Donmar Warehouse, London

Arthur Wing Pinero’s comedy about plays and players cleverly blurs stage life and real life

Xan Burley, Hsiao-Jou Tang and Colin Stilwell in ‘Mouth Above Water’ Feb 26, 2013

Doug Varone, 92Y Harkness Festival, New York

The venue’s resident choreographer has come up with a neat way to make modern dance less forbidding for beginners

James Cooney as Greg in 'Bottleneck' ©Bill Knight Feb 26, 2013

Bottleneck, Soho Theatre, London

It seems like just another day and just another football match in Luke Barnes’s drama – but then reality hits home

Aeternum World premiere of a new work by choreographer Christopher Wheeldon The Royal Ballet at The Royal Opera House, London, Great Britain 22nd February 2013 Choreography Christopher Wheeldon Music Benjamin Britten ©Elliot Franks Feb 25, 2013

Ratmansky and Wheeldon premieres, Royal Opera House, London

What’s not to like when two major choreographers create pieces for the Royal Ballet? The scores, alas

MACBETH by Shakespeare ©Johan Persson Feb 25, 2013

Macbeth, Trafalgar Studios, London

Caledonian overload: Jamie Lloyd’s Shakespeare production tries too hard for its own good to be “the Scottish play”

scene from 'If You Don’t Let Us Dream ...' at the Royal Court ©Alastair Muir Feb 22, 2013

If You Don’t Let Us Dream, We Won’t Let You Sleep, Jerwood Theatre Downstairs, Royal Court, London

The production is ‘without decor’, serving the theme of austerity well: no offstage, no frills

Martha Graham Company in ‘Phaedra’ Feb 21, 2013

Martha Graham Company, Joyce Theatre, New York

Graham’s ‘Phaedra’ was impressive for its storytelling, but it was another choreographer’s work that stole the show

'A Chorus Line' at the London Palladium ©Manuel Harlan Feb 20, 2013

A Chorus Line, London Palladium, London

With so many characters’ back-stories unfolding in this revival of the 1975 musical, it’s hard to know where to focus

Evan Jonigkeit and Zosia Mamet in 'Really Really' ©Janna Giacoppo Feb 20, 2013

Really Really, Lucille Lortel Theatre, New York

Though at times predictable, this drama establishes its author Paul Downs Colaizzo as a valuable fresh voice

From MANAGEMENT Feb 20, 2013

Interview 1: From finance to music

A former Deloitte partner tells how he eventually found the courage to fulfil a dream

Feb 18, 2013

Tudor/Ashton/ Schäpfer, Theater Duisburg, Germany

Neo-classical masterpieces by two British choreographers are the highlights of Ballett am Rhein’s programme

Feb 17, 2013

Souterrainblues/La Femme gauchère – Théâtre du Rond-Point, Paris

The return of Peter Handke’s works to the Paris stage after many years out of favour yields mixed results

Feb 17, 2013

Two Cigarettes in the Dark – Sadler’s Wells, London

Tanztheater Wuppertal’s promise of a piece that looked “at the monotony of life” proved all too accurate

Feb 17, 2013

Rhinocéros – Barbican, London

Théâtre de la Ville’s absurdist Ionesco production is stylish and sinister but tramples over the horror of the piece

Feb 15, 2013

The List: five religious musicals

Five key landmarks in the evolution of the faith musical

Feb 15, 2013

A mass of convictions

Polish playwright Anna Wakulik’s new work explores the political issue of abortion from three perspectives

Feb 15, 2013

A Life of Galileo, Swan Theatre, Stratford-upon-Avon

Ian McDiarmid’s performance in Roxana Silbert’s production makes him seem perfectly attuned to Brecht’s King Lear

From MUSIC Feb 15, 2013

Salif Keita, Royal Festival Hall, London

‘The golden voice of Mali’ infuses his music with tropes from the 1970s club dance scene

Feb 15, 2013

Cell culture

The concept of incarceration makes for vivid drama, as Alexander Gilmour reports

Susie Boyt Feb 15, 2013

The bittersweet taste of cabaret

Good actors turn songs into episodes in the history of romance, deepening our understanding of human nature