Average Rating: 7.5/10
Reviews Counted: 61
Fresh: 58 | Rotten: 3
No consensus yet.
Average Rating: 7.8/10
Critic Reviews: 18
Fresh: 17 | Rotten: 1
No consensus yet.
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Average Rating: 4/5
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Join Keanu Reeves on a tour of the past and the future of filmmaking in Side by Side. Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Martin Scorsese,
All Critics (61) | Top Critics (18) | Fresh (58) | Rotten (3)
A trim, informative 99-minute primer on celluloid film, which to many viewers has a warmth and feel as soothing as buttered popcorn, and the brave new world of digital cinema.
It's this simple: If you like movies, you need to see "Side by Side."
Actors such as Robert Downey Jr. complain that because digital cameras can be reloaded in seconds, there is no time for performers to hang out in their trailers between takes (in protest, he urinated in jars, which he hid all over the sets of Zodiac).
There is great flux in this world, as Side by Side so entertainingly demonstrates, and where it's all headed is both discomforting and exhilarating. Stay tuned.
An unapologetically serious, geek-friendly documentary, it talks pixels, grain, depth of field and other technical concerns with a variety of directors, cinematographers, special-effects wizards and more.
A surprisingly accessible documentary about an often very technical subject - the revolution surrounding Hollywood's rapid conversion from 35mm film to digital technologies.
Essential viewing for understanding different sides of one of the most vital current debates in cinema.
At once a celebration of new technology and a lamentation of a passing one, Side by Side is oddly depressing to watch.
It asks questions about culture and technology, the creation of a new sensibility, and whether we're looking at the debasement of values or a new democracy coming to the arts.
This is route-one stuff.No serious film enthusiast will, however, want to miss Side by Side.
Maybe this geekily precise, Keanu Reeves-fronted documentary fretting over the death of celluloid needs to give digital its due.
Keanu Reeves is a game frontman of this fact-filled, slightly chaotic doc about the rise of digital technology in film.
It's sweet and sparkling, as glassfuls of thought are provided by James Cameron, Martin Scorsese, George Lucas, David Lynch, Steven Soderbergh and other champagne cinematic cerebra.
A riveting, informative and extremely entertaining documentary about the digital vs celluloid debate that's a must-see for anyone interested in films and filmmaking.
Side by Side delves into areas too niche to entice the casual cinemagoer, but nevertheless this really is essential viewing for movie fans.
With film labs closing down and new formats springing up all the time, this is a timely stock-take of 21st Century cinema.
The movie doesn't offer much consideration of digital video as an esthetic in its own right -- as something that is valuable because it is *distinctive* from film, rather than as a format that aspires to be *indistinguishable* from film.
Probing documentary on the history of film that's geared for techies, those in the film industry, geeks or film junkies.
This exhaustive documentary is one of the best films ever made about the filmmaking process.
Possibly only of value to true cinephiles, but it's a vital education on the highs and lows of film vs. digital as the medium moves into an exciting new direction of creative access and picture clarity.
Side by Side doesn't give too much weight to either half of the debate, correctly noting that the move to digital has both pros and cons while offering a rather detailed history of how we got here.
Delights in bringing us all onto the set, into the editing room and behind the camera--thrilling places in any format.
The pro-digital propaganda feel is a major detraction
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