Edouard Manet’s portrait of Nina de Callias 7:16pm

Costume drama

The Metropolitan Museum boldly juxtaposes couture and art in its latest show

‘Buffalo Bull’s Back Fat’ (1832) by George Catlin ©Smithsonian American Art Museum 7:21pm

Snapshot: ‘Buffalo Bull’s Back Fat’ (1832) by George Catlin

The artist made expeditions up the Mississippi in the 1830s to document every tribe of the ‘vanishing race’ threatened by America’s westward expansion

Tradition with a modern twist: miniature painting by Taner Alakus From COLLECTING 7:37pm

New look for the old ways

All Arts Istanbul, one of the city’s fairs, promotes traditional arts as the contemporary market starts to look saturated

'Mirages of Communism No.1' (1994) by Kyrgyz photgrapher Alimjan Jorobaev ©Sotheby's From COLLECTING 7:37pm

Birth of a power bloc

Former Soviet states in Central Asia and the Caucasus are fast raising their profile on the contemporary art scene

Aztec stone goddess of water From COLLECTING 7:32pm

The age of rediscovery

The world-class Barbier-Mueller Collection of pre-Columbian art was lovingly pieced together over two generations. Now it is on sale once more. By Susan Moore

Karo Akpokiere's 'Lagos Mass Transit' (2010) From COLLECTING 7:31pm

Visions of a fast-moving continent

Visitors to Art Dubai this year can enjoy a wealth of contemporary art from Africa

Ugo Rondinone’s 'Kiss Now Kill Later' From COLLECTING 7:25pm

Armory is site specific

New York’s leading contemporary and modern art fair links up with an online partner

Detail of Banksy’s ‘Guantanamo Bay’ From COLLECTING 7:20pm

The Art Market: why 13 is lucky for some

London’s new fair goes global, China shows its wealth, while exports come under fire

Craigie Aitchison’s ‘Canary’ (1981) Mar 3, 2013

Craigie Aitchison: A Private Collection, Waddington Custot Galleries, London

This selling show is a rare chance to get an overview of the visionary Scottish artist’s mature work

‘Christ on the Cross’ Mar 1, 2013

A study in strictures

Does Federico Barocci – suggested as a better painter than his contemporary El Greco – deserve this grand revival?