Average Rating: 8.7/10
Reviews Counted: 180
Fresh: 168 | Rotten: 12
With towering performances and an unflinching script from Michael Haneke, Amour represents an honest, heartwrenching depiction of deep love and responsibility.
Average Rating: 9.4/10
Critic Reviews: 43
Fresh: 42 | Rotten: 1
With towering performances and an unflinching script from Michael Haneke, Amour represents an honest, heartwrenching depiction of deep love and responsibility.
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Average Rating: 4/5
User Ratings: 11,695
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested. -- (C) Official Site
All Critics (180) | Top Critics (43) | Fresh (168) | Rotten (12)
Trintignant perfectly captures the resolve that eventually borders on obsession, as the woman he loves gradually, maddeningly, disappears before his eyes, and he does whatever he can to prevent it, though he knows it's impossible.
Many viewers will find echoes of their grandparents, parents, or even themselves in these characters.
A movie that is utterly worthy of its all-encompassing title.
The resulting interplay of ruthless restraint and unavoidable passion, plus the film's refusal to shrink from depicting the inevitable horrors of physical deterioration, is devastating.
In many ways it's the best horror film I've ever seen. At the same time, it's hard to recommend; I believe I will be struggling to forget this film as long as I live. I doubt I'll succeed.
As remarkable as Haneke's films are, not a one has been as transcendently generous as Amour, which is nominated for five Academy Awards, including best picture, best director and best foreign-language film.
Powerful piece of cinema that forces us to confront death and something even worse; the prospect of outliving the love of one's life
This beautifully-handled, deeply devastating work is all about the most human issue of all: we're all headed for the scrap-heap.
Movingly acted and extremely harrowing.
Rarely has this subject matter been depicted so realistically, so honestly. You always know where the story is heading but it's still tough to watch.
The scenario is upsetting, but the execution is genuine and pure, making Amour a film of heartbreaking beauty and Haneke's masterpiece.
Amour will now rate highly on a list of my favorite horror movies. It's certainly upsetting. But that is its strength.
This is a profound look at love about a couple who have lived with each other for so many years, know each other so well and this terrible thing that is facing them and there's a serenity there which makes it even more moving, I think.
It's Haneke's searing honesty and lack of sentimentality, and his talent as a writer-filmmaker that lifts this film to the heights of achievement. I know that the storyline may sound gloomy, the film is not. It is beyond wonderful.
Ultimately, the title of the film demands to be taken as a question: is this truly what love looks like? A little smugly, Haneke refuses to answer.
A multiple award winner at film festivals around the globe, and it is easy to see why. Highly recommended.
Michael Haneke's most intimate and painfully truthful film - an exploration of what love means at the far end of life.
This is a movie almost too painful to watch at times, yet so masterfully composed and acted - Riva absolutely deserves her Oscar nomination, while Trintignant was robbed - that it's impossible to turn away.
Georges' irreversible decision may be courageous, but it requires no sacrifice on the part of his creator: for Haneke, it's business as usual.
Trintignant and Riva are unforgettably brilliant as the aging couple we can all identify with.
Haneke's startling film stands in stark contrast with other recent, comedic fare that seemingly addresses similar issues.
My review is categorized as 'favourable' not because I enjoyed the film (that's not Michael Haneke's intent) but because I recognise what he is trying to say and that he says it with a unique cinematic voice
Debilitation and loss of control is a harsh topic, yet Haneke's film is surprisingly gentle, exploring the constraints and options faced, as old age delivers its ultimate blow - the loss of self and ability to function with dignity
Amour is a pure depiction of love, in all its many forms.
The furthest thing from sweet sorrow imaginable, Amour gets real about the pain of parting in every sense of the word.
This subject matter is ripe for sentimentalization, but Haneke resists it at every turn, opting instead for unflinching honesty. It is the economy of theme paired with the subtle richness of character that make Amour so powerful.
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Topic | Last Post | Replies |
---|---|---|
AMOUR | 21 hours ago | 9 |
He hasn't been there! | 17 days ago | 2 |
Harkness' review in the Scotsman | 2 months ago | 5 |
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Watching Amour, is a lot like studying graphic images brought back from a war. It's painful to look at, but is so powerful and forceful in fleshing out your negative emotions that you find it difficult to look away. Michael Haneke has produced many tough watches in his time, but personally nothing compares to the experience of watching his latest. Amour is everything you expect from Haneke, minus the pretentious self amazement and needless moments of shock that have plagued some of his previous films like the remake of his "Funny Games". Led by terrific central performances and incredibly imaginative direction, he has crafted one of the most heart-wrenching films of the year. It was a pleasant surprise to see it on the Academy Awards best picture nomination list, but I am in ways glad it didn't win. I am about to attend my 75 year old grandmother's funeral, and with the deepest of respects, I can somewhat criticize Amour for it's questionable representation of the true meaning of love based on the horrible experience of witnessing my beautiful Nan's death. Perhaps it is because I am still in my youth, but I still failed to connect with this film like members of the past generations have. The main issue, is that I wasn't completely engaged with the brilliant performances. I thought long and hard about why, and I think it's because they had no cinematic heft. This is a film that questions the true meaning of love, that it does and does very efficiently, however we the audience become isolated from the characters, and only believe that Georges and Anne partnership is real. Without any form of sentiment towards us. The eventual death of Anne (this is addressed at the beginning of the film), does not have a harsher impact as Haneke intends to. The reason for that is his intention of keeping us in the dark about all this. Aside from that I think it is an absolutely spellbinding film, from the passionate performances to the visual spark, Haneke crafts a love story far off from our expectations of both this kind of film, and his previous work. He does it all without even the slightest of cinema sentiment, at the expense of engagement, but hey, better to have loved it with loss, than to never have loved it at all.