Power of Women N.Y.
Read about Variety's honorees
COVER STORY | Brett Goldstein talks being a sex symbol, wanting more "Ted Lasso" and breaking his rule of not smiling in photos.
After nearly four decades at the studio under his belt, Dick Wolf has extended his overall deal at Universal Television through 2027. Wolf Entertainment and Universal Television…
Pedro Almodóvar’s “Strange Way of Life” will world premiere at the Cannes Film Festival in the Official Selection. The festival confirmed the news and said Almodovar will attend the…
For the first time since COVID shuttered movie theaters, business is booming, with audiences flocking to see "John Wick: Chapter 4," "Scream VI" and, just last weekend, "The Super Mario Bros. Movie."
Reteaming with friend Matt Damon, Ben Affleck never shows Michael Jordan's face, focusing instead on how his mom negotiated his game-changing endorsement deal.
It's sheer animated fun, and the rare video-game movie that gives you a prankish video-game buzz.
Owen Wilson does a riff on Bob Ross, the kitsch icon of PBS, in an amusing, undercooked satire of toxic male delusion.
Michelle Williams, in her fourth film with Kelly Reichardt, gives a deceptively quiet performance as a sculptor trying to let life — and the real world — in.
In trying to accomplish so much, the show doesn't necessarily excel at any one thing.
It's a decently executed and mostly faithful screen adaptation that undermines itself by demonstrating why a novel is the perfect format for this story.
What might have been expected to look like a Lowe family vanity project has ended up as a sharply written comedy with some genuinely great lines.
By the end, you do care about what happens to these people. In fact, you'll probably be left wanting more.
Drake is back on his game with "Her Loss," which has levity where the last album had sulking. 21 Savage is employed far less often but makes for an edgy, strategic foil.
Taylor Swift's "Midnights" is a pendulum swing away from "Folklore" and "Evermore," in trading acoustic instruments for electronic ones, but it feels like their continuation, in sheer intimacy terms.
Megan Thee Stallion's "Traumazine" goes lighter on her trademark sensuality and humor as it deals with well-known career and personal drama.
Six years after the release of "Lemonade," pop icon Beyoncé has come through again with the sticky, sweaty, hedonistic "Renaissance."
Samuel L. Jackson, John David Washington and Danielle Brooks lead the cast of "The Piano Lesson," August Wilson's story of a family haunted by ghosts of the past.
Lea Michele gives this 'Funny Girl' what the revival previously lacked: charisma, astonishing vocals and assuredness — not to mention a killer fan base.
"Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.
Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.
With the release breaking records for video game films, it's clear animation should be prioritized more
How will Brian Cox choose to campaign for his role as Logan Roy?