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Only God Was Above Us Image
Metascore
88

Universal acclaim - based on 12 Critic Reviews What's this?

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  • Summary: The fifth full-length studio release for the indie rock trio Vampire Weekend was co-produced with Ariel Rechtshaid.
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Score distribution:
  1. Positive: 12 out of 12
  2. Mixed: 0 out of 12
  3. Negative: 0 out of 12
  1. Apr 4, 2024
    100
    Hope is the longest VW song ever at eight minutes, but it never meanders despite its repetition. Instead it points toward the restless creativity that the band have never lacked, and that Only God Was Above Us demonstrates all too clearly.
  2. Uncut
    Apr 3, 2024
    90
    By comparison [to 2019's Father Of The Bride], Only God Was Above Us is off its meds - grimier, sonically and spiritually; more compressed, more stressed. Lyrically, conflict is everywhere and nothing is stable. .... It would all be so much showing-off if the narrative ache Koenig displays wasn't so palpable, and the craft wasn't so meticulous. These guys listen hard, sometimes applying different processing effects on each word, even syllable. [May 2024, p.33]
  3. Apr 3, 2024
    90
    Only God Was Above Us is more than another Vampire Weekend album, it is an amalgamation of their storied career and experiences wrapped up in a fearless take on what their genre can become.
  4. Mojo
    Apr 3, 2024
    80
    Only God Was Above Us feels like a record made by a band once more comfortable in their skins. [May 2024, p.86]
  5. Lyrically, then, it’s a record characterised by its pessimism, yet musically it’s among their most joyful.
  6. 80
    It’s a record that sucks in all of the band’s best-known sounds and blows them out in a wild confetti blast of twisty-indie-anxious-punk-jazzy-joy.
  7. Apr 3, 2024
    70
    Only God Was Above Us is ultimately just another (very good) Vampire Weekend album rather than a radical shift. It essentially sees the band dressing up their patented medium-paced, occasionally frantic, symphonic rock in see-through disguises.

See all 12 Critic Reviews